Uncommon Women, uncommonly excellent playlist

A few weeks ago, the EmStage twitter account was very excited to get the following message:

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We admit, it’s been a little more than a week — there was another whole SHOW that happened in there (also: a lot of snow).

BUT, now that we’ve closed two shows in four weeks, and had two whole weeks without any snow days, we’re beginning to get our mojo back.

This playlist might have a little something to do with that.

Designed by sound designer Arshan Gailus and director Maureen Shea during the tech process, the show’s playlist is meant to set the “mood” for the play’s era. It’s also a whole lot of fun to listen to. Assistant sound designer Jake Hines shared the final list with us here:


Just Like a Woman: Bob Dylan
Blonde on Blonde, 1966

You Turn Me On (I’m A Radio): Joni Mitchell
For the Roses, 1972

Feeling Sad Tonight: Carole King
Rhymes and Reasons, 1972

Wild World: Cat Stevens
Tea for the Tillerman, 1970

Flowers Never Bend with the Rainfall: Simon and Garfunkel, 1966
Parsley, Sage, Rosemary, and Thyme

Suzanne: Leonard Cohen
Songs of Leonard Cohen, 1967

As Tears Go By: Marianne Faithfull
Marianne Faithfull, 1966

You’ve Got a Friend: James Taylor
Mud Slide Slim and the Blue Horizon, 1971

Gotta Get Through Another Day: Carole King
Rhymes & Reasons, 1972

That’s My Girl: The Osmonds
Crazy Horses, 1972

Girl, You’ll Be a Woman Soon: Neil Diamond
The Bang Years 1966-1968, 1968

Tomorrow is a Long Time: Ian and Sylvia
Four Strong Winds, 1963

Nickel Song: Melanie
The Good Book, 1971

Our House: Crosby, Stills, Nash, and Young
Déjà Vu, 1970

Woman of Heart and Mind: Joni Mitchell
For the Roses, 1972

I Believe In You:Neil Young
After the Gold Rush, 1970

It’s a Man’s, Man’s, Man’s World: James Brown
It’s a Man’s, Man’s, Man’s World,1966

Lay Lady Lay: Bob Dylan
Nashville Skyline, 1969


Girl: The Osmonds
Crazy Horses, 1972

Hanky Panky: Neil Diamond
The Bang Years 1966-1968, 1968

Red Rubber Ball: The Cyrkle
Red Rubber Ball, 1966

Let’s Spend the Night Together: Rolling Stones
Between the Buttons, 1967

Help Me Make It Through The Night: Joan Baez
Blessed Are…, 1970

All I Want: Joni Mitchell
Blue, 1971

Pack Up Your Sorrows: Judy Collins
Fifth Album, 1965

Brand New Key (The Rollerskate Song): Melanie
Gather Me, 1971


And then, of course, the songs in the show itself. Surprisingly, there are only a few:

Both Sides Now: Judy Collins
Wildflowers, 1967

Fire and Rain: James Taylor
Sweet Baby James, 1970

But who could forget this one?

It’s a great mix — thanks, Arshan and Jake, for sharing with us!


Who says you can’t go home again?

Hey! How’s everyone doing?

Here at Emerson Stage, we’re gearing up for two more shows in the next month — Brian Friel’s lovely, touching Dancing at Lughnasa, and Kander and Ebb’s razzle-dazzle The World Goes ‘Round. But, before we jump into that, we wanted to share with you a few final thoughts from Middletown, which EmStage presented at the start of October.

If you saw the show, you probably noticed that we had a pretty interactive lobby display set up, where we asked members of the audience to tell us about their hometown. Here are some of the responses we got to the questions we posted:



The Bakery: What’s your favorite home-cooked meal?


ŸŸLasagna by Vanessa! • My Mom’s soup!  • TACOS  • PHO (Vietnamese soup)  • Daddy-o’s chicken wings with hot sauce  • My mom’s broccoli pasta  •  Margaret’s chicken korma – thanks Ma  • My mom’s CHOCOLATE cake  • Steak & potatoes  • Holly Comfort Grusendorf always made a great meatloaf  • Grandma’s Apple Pie  • Salt-rubbed roast chicken with potatoes • Lego • Mom’s lasagna! • Enchiladas •  take out • My Dad’s Lemon Chicken • fresh lake fish caught by my dad • MOM’S CHICKEN SOUP! • Mashed Potatoes! • cheese enchiladas • Mom’s cookies! • Going out for dinner all the time in the winter because it’s the only thing to do! 



Theatre: What was the first play you ever saw?

theaterLion King! • The local Catholic high school’s version of Grease • Beauty and the Beast (I think) • The Wiz on Broadway • On Broadway: Lion King, don’t know the actual first play play • Peter Pan on Broadway! • Rent • TIN PAN ALLEY – it was a school field trip • Don’t remember but my first Broadway show was Hairspray! • Beauty and the Beast • Cinderella (?) • I don’t remember. • The Lion, the Witch and the Wardrobe (the Lion’s mane fell off and he kept going like a champ)



Monument: What is your town’s claim to fame / tidbit of history?


Jennifer Lawrence • Island Beach • My hometown is famous for the birth of the TollHouse cookie • Home of Mark “the Bird” Fidrych • My hometown, Easton, MA, invented the shovel! • Soccer player Christine Lilly was born in my town – Wilton, CT • HMS Ajax Battleship • Caught Marathon Bombers in my town. Woo-hoo! • San Francisco: Golden Gate Bridge, Angel Island, Alcatraz, Nob Hill, 1906 EARTHQUAKE • Jay and Silent Bob • Great Barrington voted #1 small town in America • YAY FRAMINGHAM • Taylor Schilling, who plays Piper on “Orange is the New Black” is from West Roxbury • “Where’s Flossy?” a famous(ish) case where the town crone (mean old lady) vanished into thin air with groceries still in the car – Angelica, NY • El Paso was almost Hollywood except Pancho Villa kept invading. So yeah. • Flint auto city • Music city USA! • Martha Stewart grew up in my hometown • My family and friends – small town living is amazing! Everyone knows who you are.



Museum: If you could put one item from your childhood into a museum, what would it be?

museumMy childhood sketchbook • My back yard • My brother • My favorite Nancy Drew book! • The talking watermelon I got for Christmas • My Blankie • My graphic novel collection • Lights on a brick wall • Illegal Technologies. Like Gameboys. • My imaginary friend • my orange Frisbee that I “cooked” in • My Dog • Teddy Bears • My stuffed squirrel, Phoebe! • An American Girl doll!



Library: What was your favorite book when you were little?


• The Birth of Autumn • The Rainbowfish • Lilly’s Purple Plastic Purse (someone else commented: BEST BOOK OMG!) • The Giving Tree • The Hobbit • A Wrinkle in Time  • Something from Nothing • Don’t Let the Pigeon Drive the Bus • Brave Irene • The Little Ballerina • The Wizard of Id • Chicka Chicka Boom Boom • Harry Potter • Goodnight Moon • Storm on the Island • Harry Potter! And a book about a mad scientist lady and her cat • Black Beauty • Little Women • I LOVE YOU FOREVER • Troll in Central Park



Hospital: What is the story behind your name?

Hospital^This is the hospital I was born at!  • Autumn (born in Sept.) Comfort (for my mother) Lee (for my mother’s sister) – could have been Aubrey Rainn…what if!? • My name is Corey…My parents liked it I guess? • Emily was the only name my parents could agree on… • ELINOR – It’s from Sense & Sensibility by Jane Austin. My mom was an English major. • My mom wanted to name me Alexis or Sydney, with the middle name Irene, after her and my grandma. But birth was tough, my dad named me while she was sedated; after a playwright and because he liked the iambs of my name together. • My parents just liked it. My middle name is my grandmother’s maiden name though. • My father wanted to name me Aloysius – my mother said no! She was reading Medea – gave me the name Jason. • Morgan: Mom’s name is Melissa à last name was Horgan M+ organ = Morgan • My mom is from country Clare Ireland • I’m named after my great-grandmother! Everyone in my family is named after someone else. • I was almost named after my dad…that was vetoed by my mom • I am not named for anyone. My dad just liked the name. • I WAS NAMED AFTER A PLUMBING COMPANY…Thanks Mom & Dad. • First: picked from a baby name book. Middle: from song of artist from concert parent went to when pregnant. • It means dew! When I was little, I thought it meant “doo” as in “doo-doo,” as in poop. • My great grandfather’s name. • Besson means “the twins” in Medieval French.


Do you have any additions to any of the above? Share them in the comments!


And, congrats to the Middletown team on a fantastic production. Great job, guys!

An introduction to Brian Friel

Irish playwright Brian Friel. (Photo by Bobby Hanvey).

Dancing at Lughnasa is often referred to as Brian Friel’s masterpiece. Which is great — everyone should have a piece of work that’s their crowning achievement. But who is Brian Friel, and why are we so excited about his masterpiece? First off, you might be familiar with Friel’s other work — he was the adaptor of Ivan Turgenev’s Fathers and Sons, which EmStage produced this past February. Friel is often called the “Irish Chekhov” for his sparse dialogue and dry wit; his English-language translations of Chekhov are considered among the best. But, the playwright is also widely lauded for his original work: so much so, in fact, that in 2006, Friel was named Saoi of Aosdána — one of the highest honors Ireland can bestow on a native son, and one he shares with playwrights like Samuel Beckett and Seamus Heaney. 

Friel is notorious for speaking little about his personal life, and even less about his internal life, but this profile from a series on Irish theatre provides a pretty comprehensive look at the Friel that we do know.  

And to learn more about him, you’ll just have to come check out Dancing at Lughnasa — the play that is considered Friel’s best, as well as his most autobiographical. 

Middletown Gazette: local mystery solved!

This morning, we received another delivery from the Middletown Gazette! Read all about the local mystery, recently solved.

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Missing Library Book…Returned!

There’s been something causing quite a stir at the Middletown Public Library this week. One of the most treasured books of the entire collection, Middletown: A Collective History had gone missing! The report came in on Tuesday evening when our local Librarian was resolving the nonfiction treasuries and noticed that something was amiss.

“Well, when I realized that there was a large gap in the Dewey Decimal numbers, I was quite puzzled. But when I checked the cart, I found that Middletown’s beloved history book was gone!”

Shocked and terrified of an alleged booknapper, she immediately called upon local Middletown law enforcement to recover the missing item.

“Happens all the time in Middletown,” said a Cop who appeared on the scene. “People think they can just go around staring at the stars, planting trees, stealing library books…”

Middletown residents were just as disturbed as the Librarian. Town newcomer Mrs. Mary Swanson was looking to borrow the book, but was saddened to find that it was gone. “I was really looking forward to know a bit more about Middletown. We just moved here, my husband and I.. we’re trying to start a family, and I want our baby to know all about the place he lives.” Mr. John Dodge, Mrs. Swanson’s neighbor, looked over at nothing in particular while she gave the impassioned speech.

A local Tour Guide quipped on the missing book “I don’t know what we’ll do without it! That’s basically the manual for everyone who gives walking tours here in town. It’s like someone tried to destroy Middletown’s history. How else will everyone know all about the Monument in the middle of the town square? I mean, other than the fact that the plaque on it is in English… so it can be read forever… But you know what I mean.”

The book was miraculously found recovered less than three hours after it was scheduled to return to the library, with the town Mechanic as the prime suspect in the case.

“I wasn’t surprised when I found this one lying out on a bench with the book. He’ll pay his dues to the town for this, no doubt.” The Cop who found the local man said as he put him in handcuffs. “We’re taking him down to the station for questioning. Stealing a book… I should have expected this.”

Muffled cries from the Mechanic could be heard as he was directed into the police vehicle. No word on if these matched the strange sounds residents have been hearing outside their homes in the past few weeks.

“Well, I’m just overjoyed to have it back. It’s like everything is right in the world. Middletown is a great place to live, and this book will let us remember so we will never forget!” The Librarian said as she sniffed the pages of the now returned item. “See, this is why overdue library books are never a good idea!”

Frequently Asked Audition Questions

We regularly run a list of Frequently Asked Questions with Emerson Stage’s audition calls. We figured it was a good idea to list your most frequently frequent asked questions here, for fastest reference.

I am at the Castle / in LA / studying abroad this semester. Can I still participate?
YES! It is our standard practice to accept video audition submissions from students studying abroad this semester who wish to be considered for next semester’s productions. Please contact emersonstage@emerson.edu for further, show-specific details about how to submit a video audition.

Why do you ask for my schedule and conflicts? At auditions, we ask for your class schedule, work/job commitments and any other things that may affect your availability during the rehearsal period of a show in order to see if we can consider you for a role. Your presence at rehearsal is essential.

What constitutes a conflict? A conflict is anything that affects your schedule during our rehearsal hours of Monday-Friday from 7-11pm and Saturdays and Sundays. We don’t rehearse seven days per week unless we are in technical rehearsals heading into performances, but it is essential to know what your schedule is going to be during rehearsal hours. A conflict may include classes, a job, another show you are in, a family obligation (weddings, anniversaries, celebrations), volunteering.

If I list my conflicts will I not be cast? No — everyone, especially students, is going to have scheduling pressures. It is unreasonable to think that you would be available 24 hours a day, seven days per week for show rehearsals. Full disclosure on your schedule helps us figure out how to cast you and how to schedule rehearsals for a show. That is why we ask at auditions. If you have too many conflicts, however, it simply may not be possible to cast you based on your availability. If you can attend few rehearsals and not every performance, it is not possible to consider you for a role.

I know I have conflicts but I am afraid to list them because I really want to be in this show (or want a particular part); if I list my conflicts I am afraid I won’t be cast, so I just won’t list them, okay? No, not okay at all. This mind-set has serious implications for your fellow actors in this show and your future ability to be cast in any other shows. This is a bad practice that can have severe professional implications in your life ahead in the theater. It is required that you list all conflicts at auditions.

What if new conflicts arise after I have auditioned and been cast? Before you accept or agree to any new conflict, you must contact stage management, who will consult with the director. In general, it will be very difficult to allow you to accept a commitment that affects your ability to rehearse and perform in a show, so it is very possible that we will not be able to allow you to take on more schedule-affecting commitments.

Other questions? Send them to emersonstage@emerson.edu. And otherwise: Break a leg!

Fefu and Her Friends dramaturgy open discussion thread

The dramaturgy mannequin for Fefu and Her Friends, on display in the Iwasaki Library

The dramaturgy mannequin for Fefu and Her Friends, on display in the Iwasaki Library

Hello! You may have noticed this mannequin on display in the Iwasaki Library this week. It’s part of the dramaturgy for Emerson Stage’s production of Fefu and Her Friends, which will be opening in the Semel Theater next week. We’re interested in body image in the context of modern feminism — the mannequin kicks off the discussion by inviting people (predominantly women, as implied by the body shape, but we’d welcome male participation too) to place a sticker on the area of the body you would most like to change about yourself.

But, we recognize that there’s so much more to talk about than a single dot can encompass. And we invite you to talk about it here. We’ve turned off registration requirements, so you can maintain anonymity, but we do ask you to keep comments civil and respectful. (This thread is moderated, and particularly offensive comments will be blocked.)

Let’s kick it off with this question: are there any parts of your body that you love, even though society tells you that you should feel otherwise? Share your thoughts below, in the comments.